Contact: mail@lukreziakraemer.com LUKREzia Krämer - © 2019 - 20212 Webdesign: www.vincentslegers.com
Bild: Vincent Slegers
series: Memory Die Poesie des Morgens,
oil on canvas, 25 x 20 cm, 2021.
Der Weg,
oil on canvas, 150 x 110 cm, 2021.
Prisma,
oil on canvas, 150 x 90 cm, 2021.
Erinnerungen an den Mond,
oil on canvas, 70 x 50 cm, 2021.
Nord,
oil on canvas, 160 x 110 cm, 2021.
o.T.,
oil on canvas, 60 x 105 cm, 2021.
Miłość,
oil on canvas, 45 x 34 cm, 2020.
Zeitlosigkeit,
woodcut, 14,8 x 21 cm, 2021.
Birken im Schnee,
woodcut, 15.5 X 11, 2020.
Schemen des Flusses 7,
ink on paper, 15 X 21.5 CM, 2020.
Schemen des Flusses 4,
ink on paper, 15 X 21.5 CM, 2020.
Disteln,
oil on canvas, 42 x 55 cm, 2020.
Nord-Ost,
oil on canvas, 110 X 160 CM, 2020.
Wenn der Wind den Regen holt,
oil on canvas, 60 x 105 cm, 2020.
In the Pines,
oil on canvas, 150 x 90 cm, 2020.
Sturm über Nieuwpoort,
oil on canvas, 130 x 150 cm, 2019.
fLUCHTPUNKT,
oil on canvas, 110 x 160 cm, 2019.
Tundra,
oil on canvas, 44 x 65 cm, 2019
Baby-Beach,
oil on canvas, 150 X 105 CM, 2019.
Das stille Volk,
oil on canvas, 160 x 130 cm, 2018.
IRISCHER WALD,
oil on canvas, 160 X 130 CM, 2018.
Rotkäppchen,
oil on canvas, 100 X 110 CM, 2017.
Down The rabbit hole,
oil on canvas, 90 X 60 CM, 2017.
WUNDERLAND
oil on canvas, 125 X 150 CM, 2017.
LICHT,
oil on canvas, 90 X 75 CM, 2016.
WALD 2,
colour LITHOGRAphy DOUBLEDROP, 42 X 49 CM, 2016.
WALD,
LITHOGRAphy DOUBLEDROP, 42 X 44 CM, 2016.
SCHOTE,
LITHOGRAphy, 65 X 50 CM, 2015.
Noah,
oil on canvas, 110 x 160 cm 2019
grauen i,
oil on canvas-covered cardboard, 18 X 24 CM, 2019.
Lukrezia Krämer. The inner world of the outer world
Even if it may appear at first glance that many of Lukrezia Krämer's pictures are landscape impressions - the scenic detail and the partly open texture of the painting could speak for this - they convey moods rather than momentary sensory impressions. The painter creates the mood of the pictures through her fine sense for colors. The tonality of the images can sometimes be more contrastive and sometimes harmonized. On the one hand, the choice of colors appears to be based on the natural model, but on the other hand, the natural is exaggerated in most of the pictures. In addition to the special choice of colors, the application of paint also contributes to the atmospheric character of the pictures: many of the motifs seem to elude permanent access by the viewer, since the open style and the sometimes smoky painting style leave the picture objects in a state of limbo. Nothing is fixed and permanent, everything is fading, according to the melancholic content of the pictures. But the power of art is to capture these fleeting moments of passing in a beautiful form. And Lukrezia Krämer believes in this power.
In some of her new paintings from 2019, the painter for the first time ventures into an artistic border area between landscape and abstraction by increasingly reducing the motifs of her pictures, giving the color a new quality. In paintings such as "Hinterland" and "Zugwind" the landscape section determines the distribution of the color, but here the colored balancing of the picture surface comes to the fore artistically in comparison to the work in the motif.
Whatever further steps Lukrezia Krämer decides to take in her art, through her studies in Siegfried Anzinger's class at the Düsseldorf Art Academy, which she completed in 2019 as his master student, and through her own strong artistic visions, she has all the prerequisites to be able to set new impulses in the field of painting in the future.
Prof. Dr. Guido Reuter
Kunstakademie Düsseldorf
Hinterland, oil on canvas, 50 x 70 cm, 2019.
Zugwind, oil on canvas, 42 x 70 cm, 2019.
Marise Schreiber about „Bereht“, Lukrezia Krämer, 125 x 160 cm, Oil/canvas, 2020.
Lukrezia Krämer chose the title from Middle High German. Clarification follows: The translation stands for the noun "light" or the verb "light". In 2019, Krämer received the first prize for her work "Wunderland".
Here, too, the artist remains thematically in nature. It is a view of a still young piece of forest, painted with sensitive colors. A “ghost forest” can be associated with this forest. The daughter of an imaginative family of artists who grew up in Rösrath certainly knows the surrounding of Rösraths forests, which are even called „Ghostbush“. The narrow, bare tree trunks striving upwards outline the wind-ruffled, colorless forest floor. In this way, Krämer irritatingly paints the actually calm scenery. Thus, the viewer feels how diverse the views of a rather pale landscape painting can be. Both the foreground and the deep background are literally immersed in a glow.
Bereht, oil on canvas, 125 X 160 cm, 2020.
Marise Schreiber about „Wunderland“, Oil/Canvas 125 x 150 cm, 2017.
At first glance, Lukrezia Krämer's work could be told quickly. The viewer thinks of the story of "Alice in Wonderland", a little girl in the middle of a fantasy world. That's not what the artist is about. The realistically painted landscape makes generous use of both the horizontal and the vertical. Another stylistic device are the almost classical perspectives. Using a romantic setting, Krämer achieves an up-to-date, unobtrusive tension.
The artist paints the recognition value for a landscape as we think we know it. And yet, in the age of mechanization and digitization, a closer look reveals a discord, an irritation. The pictorial composition is disturbed by the miniature child in the (innocent) white Sunday dress. The idyllic forest solitude is broken by questions like, "What is a child doing alone in the forest and who is watching it?"
Wunderland, oil on canvas, 125 X 150 cm, 2019.
„Surrealistisch, mystisch, voller Geheimnisse, nie mit konkreten Bezügen zur Wirklichkeit“,
Gisela Schwarz über Lukrezia Krämer, KStA 2017
„Hier zeigt sich ein Sinn für Schönheit, der in der rauen Wirklichkeit täglich verteidigt werden muss.Genauer: Diese Kunst hat nichts mit Umweltschutz, sondern mit Sehnsucht und mit Malerei zu tun. Vis à vis präsentiert Lukrezia Krämer eine Landschaft mit nichts als Luft und Wasser. Das Werk überholt die Romantik des William Turner durch ein imaginäres Licht. Im Kreidegrund fast untergetaucht ist die Ölfarbe, die dieses imaginäre Milieu zur Kunst des Scheins werden lässt. Hier zeigt sich ein Sinn für Schönheit, der in der rauen Wirklichkeit täglich verteidigt werden muss.“
Helga Meister, Westdeutsche Zeitung 2019
Portfolio
room views
tEXTs
catalogue dOWNLOAD
Fabian Siepen from Rhein Unplugged visited Lukrezia Krämer in her atelier.
On the weekend of March 26 & 27, last year's ARTWALK exhibition opens to the public in Hall ES365 in Düsseldorf. The film made in the forest in 2021 will also be shown here.
Erkrather Strasse 365, 40625 Dusseldorf. Saturday, admission: 2 p.m. - 8 p.m., film screening: 5 p.m. & 7 p.m. Sunday, admission: 2 p.m. - 5 p.m., music by Vincent Slegers: 4 p.m.
More at: www.artwalk-duesseldorf.de
20.05.22 - 09.07.22 Solo exhibition, Galerie Schröder & Dörr, Wingertsheide 59, Bergisch Gladbach
The artwork "Spiegelbild" was honoured with the 3rd Price of the Dr. Jürgen Rembold Stiftung.
Thank you!
As part of a call for artists of the Rheinisch-Bergischer Kreis, Lukrezia Krämer was selected for a commissioned work on the subject "Humanity and the crisis". All information, the selected project desciptions and introduction videos under
I am lucky to be part of this year's landscape plein air in Schwedt and I am really looking forward to the two-week Residency. The resulting works will be presented in an exhibition to which I cordially invite you.
Exhibition period: 07.08. - 17.09.2020
Kunstverein Schwedt e.V.
Gallerie am Kietz
Gerberstrasse 2
16303 Schwedt/Oder
08.02.2020 - 08.03.2020: "exposition of the graduated Artists of the Art Academy 2019" Kunstsammlung Nordrhein-Westfalen, K21, Ständehausstr. 1, Düsseldorf. Vernissage on : 07.02.2020
On the 03.11.2019 Lukrezia Krämer has recieved the 1. price of the dr Jürgen Rembold foundation, as part of the 39th anual Exposition `Rösrather Künstler´, in which she took part with her painting `Wunderland´ .
PRESENT
fUTURE
PAST
Bild: Vincent Slegers
Lukrezia Krämer
1993 born in Bergisch Gladbach
lives and works in Düsseldorf
Education at Kunstakademie Düsseldorf:
2013 - 2014 Prof. Udo Dziersk
2014 - 2019 Prof. Siegfried Anzinger
2019 Masters Student of Prof. Siegfried Anzinger
2019 Akademiebrief (Diploma)
Prices and Honours
2021 Nomination Valentine Rothe & Renate Hendricks
Preis
2020 Winner of „Der Mensch und die Krise“,
Rheinisch-Bergischer Kreis
2020 29. Internationales Landschaftspleinair,
Residency, Schwedt/Oder
2019 1. Price of Dr. Jürgen Rembold Stiftung
2019 Nomination Junge Positionen NRW 2019
Solo expositions:
2021 Special expo „Captains of Industry Sailing
Cup“, Nieuwpoort (BE)
2020 Wenn der Wind den Regen holt, Museum
Kunstraum Neuss
2020 Wolken und Meer, Kulturforum Kapelle Waltrop
2019 Madder Lake Deep, WP 8 Kunstverein, Düsseldorf
2017 Kopf an Kopf, Galerie Schröder und Dörr, Bergisch
Gladbach
Group Expositions (a selection):
2021 26. internationale Kunstmesse im Frauenmuseum, Bonn
2021 „Spectral“, Sonderausstellung zur Start Art Week,
Düsseldorf
2021 22. Triennale Grenchen (CH)
2021 Fresh Positions, Jubiläumsakademieausstellung,
BBK Düsseldorf
2020 In order of appearance, K21 Kunstsammlung NRW
Düsseldorf
2019 Abschlussausstellung, Kunstakademie Düsseldorf
2019 18:x17, Asta-Ausstellungsraum, Düsseldorf
2019 On different art trails 2.0, Park-Kultur, Düsseldorf
2017 PASS AUF ANZINGER, d/d contemporary art gallery,
Düsseldorf
2017 Hogan Lovells Kunstförderpreis, Hogan Lovells, Düsseldorf
2016 EY-Benefizauktion "Junge Kunst in Düsseldorf", Düsseldorf
2014 25 Jahre Kolbhalle - Jubiläumsfestival, Köln
2013 33. Ausstellung Rösrather Künstler, Rösrath
2012 KünstlerPotpourri, Stadtmuseum Siegburg
Since 2009 Kunst in der Schmiede (annualy), Rösrath
WoRK
eXPERIENCE
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